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SELECT
RESOURCES ABOUT POCHOIR
Art
deco Paris 1900-1925: Pochoir Color Prints from the Graphic Arts
Collectoion,Leonard L. Milberg Gallery for the Graphic Arts, Princeton
University Library, October 15, 2000-April 1,2001/ Dale Roylance,
curator. Princeton: Princeton University Library, 2000.
Berman,
Avis. “Antiques: Bound for Glory—Rare Bookbindings of Art Déco Design.”
Architectural Digest 43 (May 1986):188-193, 234-235.
Brunelleschi,
Umberto. Umberto Brunelleschi: Fashion-stylist, Illustrator, Stage
and Costume Designer. New York: Rizzoli, 1979.
Buckberrough,
Sherry. “Delaunay Design: Aesthetics, Immigration, and the New Woman.”
Art Journal 54 (Spring 1995): 51-55.
Bussel,
Abby. “Charlotte’s Web.” Interior Design 69 (January 1998): 36-39
Duncan,
Alastair and Georges de Bartha. Art Nouveau and Art Deco Bookbinding:
the French Masterpieces 1880-1940. New York: Abrams, 1989.
Ellis,
Charlotte. “Charlotte Perriand 1903-1999.” Architectural Review
206 (February 2000): 25.
Ercoli,
Giuliano. Art Déco Prints. New York: Rizzoli, 1989.
Fry,
Charles Rahn. The Stencil Art of Pochoir: an Exhibition of French
Color Prints, 1920-1930, from the collection of Charles Rahn Fry
’65. Princeton: Princeton University Library, 1982.
Gruen,
John. “The Pochoir Prints of Charles Rahn Fry.” Architectural Digest
44 (1987) : 94, 100, 106.
Harris,
Elizabeth M. Pochoir. Washington: Smithsonian Institution
Press, 1977.
Micucci,
Dana. “Antiques Notebook: Beyond Art Deco—French Furniture of the
1940s and 1950s.” Architectural Digest 50 (October 1993): 46,48,
50, 54,56.
McCully,
Marilyn. ”Barcelona: Robert and Sonia Delaunay.” The Burlington
Magazine 143
Ross,
John, et al. “Technical Page.” American Artist 53 (1989)
: 56
Saude,
Jean, Traite d'enluminiere d’Arte au pochoir. Paris, Editions de
l’Ibis, 1925
Webb,
Michael. “The Villa Noailles: a Robert Mallet-Stevens landmark in
France.” Architectural Digest 53 (November 1996): 114, 118, 120,
122.
Williams,
Reba W. “Pochoir Printing.” American Artist 53 (1989) :
70-75.
SELECT
RESOURCES WITH POCHOIR PLATES IN THE COLLECTION
125
décors et compositions du jour inédites pouvant êtret copiées ou
interprétés. Paris: Documentation publiée par “Les éditions
Guérinet,” 1930.
Benedictus,
Edouard. Benedictus’ Art Deco Designs in Color. New York:
Dover, 1980.
Benedictus,
Edouard. Relais, 1930. Paris: Vincent, Fréal, 1930.
Delaunay,
Sonia. Compositions, Couleurs, Idées. Paris: Éditions d’Art
Charles Moreau, 1930.
Garcelon,
A. Inspirations. Paris: C. Massin, 19--.
Gazette
du Bon Genre. Paris: Les Éditions, 1920.
Gazette
du Bon Ton. Paris: Librairie centrale des beaux-arts, 1924-1925.
Gazette
du Bon Ton. Paris: Librairie centrale des beaux-arts, 1922.
Gladky,
Serge. Gladky’s Art Deco Patterns and Designs in Full Color.
New York: Dover, 1989.
Gladky,
Serge. Nouvelles compositions décoratives. Paris: C. Moreau,
1931.
Herbst,
René. Boutique et magasins. Paris: Moreau, 1929.
Journal
des Dames et des Modes. Paris: Aux bureaux du journal des dames,
1914.
Kainer,
Ludwig. Russisches ballett. Leipzig: K. Wolff, 1913.
Lepape,
Georges. Les choses de Paul Poiret Vues par Georges Lepape.
Paris: Pour Paul Poiret par Maquet, 1911.
La
Guirlande. Paris, 1920.
Meyer,
François and Frederica T. Harlow, ed. The Illustrations of George
Barbier in Full Color. New York: Dover, 1977.
Moussinac,
Léon. Étoffes Imprimées et Papiers Peints. Paris: A. Lévy,
1924.
Pangon,
Marguerite. Les batiks de Madame Pangon. Paris: Éditions
d’art Charles Moreau, 1925.
Répertoire
du Gout Moderne No. 1.Paris:Lévy, 1928-1929.
Répertoire
du Gout Moderne No. 2.Paris: Lévy, 1928-1929. .
Séguy,
E. A. Bouquets et Frondaisons: 60 motifs en couleur. Paris:
Ch. Massin, 192-.
Séguy,
E. A. Insectes. Paris: Chartre et Van Buggenhoudt, 1927.
Séguy,
E. A. Papillons. Paris: Tolmer, 1925.
Séguy,
E. A. Seguy’s Decorative Butterflies and Insects in Full Color.
New York: Dover, 1977.
Séguy,
E. A. Full Color Floral Designs in the Art Nouveau Style.
New York: Dover, 1977.
Sézille,
L.P. Devantures de boutiques. Paris: Albert Lévy, 1927.
Société
des artistes décorateurs. Intérieurs au Salon des artistes décorateurs,
1928. Paris: C. Moreau, 1928.
Tolmer,
Alfred. Mise en page: The Theory and Practice of Lay-out.
London: The Studio, ltd., 1931.
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