GIF 2 comprises mounted prints, mixed media works, photocopies, and a photograph, covered in brown paper and contained in a wooden slip case by Michael Zeffertt, with bronze animal hooves by Guy du Toit attached to front and back. This volume creatively gathers original artworks, signed and numbered by 18 artists, into a book representing modern African art. The National Museum of African Art Library has one of the most comprehensive reference collections dealing with contemporary African artists and serves Smithsonian and other researchers worldwide.

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This standard history of the Chicago World’s Columbian Exposition was presented as a limited edition to fair officials and sponsors. Supplemented with 100 folio prints, among them signed etchings and photogravures, it is both a record of the fair and a fine example of chromolithography, or color printing. Documenting technological advances, industrial achievements, and popular entertainment, such publications record the world view of a period.

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The colorful work of Walter Crane, a designer and illustrator of the British Arts and Crafts movement, combines fine design with practical lessons for children presented in an amusing way. Crane believed he could teach children about good design by incorporating the latest styles in his imaginative books for young people. He eagerly promoted the publication of inexpensive softcover picture books that a growing literate middle class could afford. In A Romance of the Three Rs, which Crane wrote for his young son Lionel, a boy has many adventures as he journeys around the world in his quest to learn how to read and write.

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One of many technical works on 19th-century craftsmanship in the Smithsonian Libraries collections, this volume contains hand-painted illustrations of various wood grains along with descriptions of how to achieve this effect with paint. It was written for craftsmen, architects, and interior designers, and the spattered and stained illustrations in this copy show heavy use in the workshop. This book is from the collection of furniture conservator Robert D. Mussey, Jr.

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In this remarkable book, Dutch-born artist Sjoerd Hofstra showed himself to be a master of paper construction by creating highly dramatic pop-ups, including a revolving door and a cascade of rooftops. The book is a reinterpretation of Manhattan Transfer, John Dos Passos’s 1925 novel which captured the hustle and bustle of daily life in New York City. Hofstra incorporated Dos Passos’s text within printed pages that resemble architectural drawings, so that the viewer feels as if he or she is reading a blueprint.

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Produced as a commemorative for members of the Kyoto Art Society, this book presents 16 Japanese interiors that contain implements required for 16 traditional activities, including a poetry contest, coming-of-age ritual, and green-tea (sencha) gathering. Filled with distinctive Japanese patterns and details, the hand-colored woodblock illustrations depict decorative lacquered pieces, costumes, and furnishings. An extraordinarily beautiful object in its own right, the book provides a fascinating look at Japanese culture.

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Frances Theodora Parsons started taking walks in the countryside after the death of her first husband. These strolls inspired her most popular book, How to Know the Wildflowers (1893). According to Season is a collection of the author’s articles for the New York Tribune. This special copy of the first edition contains nine original watercolor sketches by an unknown artist.

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Published in collaboration with the Kuru Art Project, Qauqaua is a rendition of a Naro folk tale and the first book to be published in Naro and English. Part of the folklore of Botswana, the story is mythically connected to rock engravings that are said to be the footprints of Qauqaua. It combines the quality of the artist’s object with a folk tale similar to earlier exploration narratives. The book was hand-printed in a limited edition of 100 plus 20 artists’ proofs; the Smithsonian Libraries copy is numbered 52 of 100.

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Essentially a device to show prospective clients how Repton could transform their grounds, Observations embodies his theories about creating formal landscapes for English country estates. Although Repton often incorporated neoclassical structures into his designs, they still retained a natural feel because of his strategic placement of loosely gathered together trees and plants throughout. In this work, he supplied "before" and "after" views; the viewer lifts a paper flap to see the dramatically transformed garden.

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